To compare how cultural identity is represented in music videos, two different music videos of
different cultures will be analyzed and compared in order to highlight how each portray their specific culture.
The representation of culture is shown to be facing poverty and racial discrimination. For example there is a close up of an innocent looking youth shown to have no prospects who soon turns to crime due to having a lack of opportunities. This is shown in the next shot as it shows him pulling the mask over his face which is heavily associated with crime.
The shots in this music video vary in their technique, there are several close up shots of individuals enabling the audience to develop a personal connection with them. Furthermore, establishing shots are used to feel a sense of the location, for example the guetto neighbourhood is strongly portrayed in this video. The shots are unsteady which create a sense of urgency as well as matching the fast pace of the beat, the audience are therefore engaged with the video due to so much that is going on.
References to African culture are displayed in this video, for instance there is a shot of a Native African man in tribal clothing dancing showing the roots of this culture, it then quickly cuts to a shot of more contemporary street dancing performed by African people.This shows the vast modern change of this culture reflecting social and political influences.
The black community are represented as criminals as shown in this image from the music video, it's almost as if they are trying to kill racism, and instead of them being the criminals the other cultures are really what's wrong with the society.
Goodwin's theory is made evident in this video due to the voyeuristic treatment of the female body, this already male orientated video includes close ups of women in bikinis focusing on their body parts. This exploits women in the video and represents them as simply being possessed by a man they are merely objects that a man can pick and choose when he wants. The lyrics also connect with the visuals as when the women are shown in the video he says "I got 99 problems but the bitch ain't one.." meaning that he is demeaning the women and showing them off to be a problem he doesn't have to deal with.
Criticisms facing this music video:
The representation of women is somewhat controversial in this video due to the misogynistic lyrics as well as the voyeuristic images objectifying women. Even Jay Z admitted in a recent book of his the extent to which he portrayed women as merely possessions:
"Some [lyrics] become really profound when you see them in writing. Not 'Big Pimpin.' That's the exception. It was like, I can't believe I said that. And kept saying it. What kind of animal would say this sort of thing? Reading it is really harsh."
This video showed that young black men are discriminated as shown by the judgments that the police men of them stopping them for going 1mph over the speed limit. This shows that as young black men are at the bottom of the pecking order, black women therefore have less status and respect. Therefore, this music video represents women as weak and the voyeuristic shots of them give off the impression that the only thing that they are good for is there looks and physique, other than that they are merely a problem in a mans life.
The representation of African Americans in this music video contrasts to the representation shown in the music video by Leftfield, Africa Shox. This is due to the fact that although both the robotic black man in Africa Shox and Jay Z are shown as the victims in the video, Jay Z actually stands up for himself to an extent and rebels against the racial discrimination whereas in Africa Shox the protagonist looking out for help and slowly giving up due to the lack of compassion and respect given to him.